Implementation of improvisation and play-based methods in Carl Orff's music-pedagogical system

Authors

  • Tetiana Petrivna Tanko Doctor of Pedagogical Sciences, Professor, Dean of the Faculty of Preschool Education, H. S. Skovoroda Kharkiv National Pedagogical University, 2 Valentynivska St., Kharkiv, 61168, Ukraine https://orcid.org/0000-0003-3752-0539
  • Iryna Oleksandrivna Larina Candidate of Pedagogical Sciences, Associate Professor, Associate Professor of the Department of Theory, Technologies and Methods of Preschool Education, H. S. Skovoroda Kharkiv National Pedagogical University, 2 Valentynivska St., Kharkiv, 61168, Ukraine https://orcid.org/0000-0003-0117-147X
  • Yuliia Volodymyrivna Dolia Senior Lecturer of the Department of Theory, Technologies and Methods of Preschool Education, H. S. Skovoroda Kharkiv National Pedagogical University, 2 Valentynivska St., Kharkiv, 61168, Ukraine https://orcid.org/0000-0001-6400-6813

DOI:

https://doi.org/10.5281/zenodo.20882054

Keywords:

elementary music-making, child creativity, movement expression, musical play, rhythm education, folklore material, pedagogical facilitation, preschool education

Abstract

The purpose of the article is to provide a scientific substantiation of the topic "Implementation of improvisation and play-based methods in Carl Orff's music-pedagogical system" in the context of contemporary educational modernization, the competence-based paradigm, and the need to connect theoretical statements with practical mechanisms of pedagogical work. The subject of analysis is improvisational and play-based methods in Carl Orff's system of elementary music-making, interpreted as a multidimensional process combining aims, content, methods, organizational forms, values, communication strategies, and criteria for assessing outcomes. Methods. The study uses theoretical analysis, comparison, systematization, generalization, pedagogical modelling, and interpretation of recent studies in music education. These methods made it possible to compare different approaches, identify their strengths and limitations, clarify the conceptual field, and present an authorial logic for organizing the pedagogical process. Results. The research shows that improvisation and play function as interrelated mechanisms for activating musical thinking, emotional self-expression, auditory attention, movement coordination, and children's social interaction. The article clarifies key concepts, reveals internal links between aims, content, methods, and outcomes, and determines conditions under which the investigated phenomenon becomes systematic rather than episodic. Special attention is paid to reflection, gradual implementation, individualization, cooperation, teachers' methodological readiness, and the correspondence between educational actions and learners' real needs. Conclusions. The implementation of improvisation and play-based methods requires a gradual organization from rhythmic speech and movement to instrumental ensemble work, from imitation to variation, and from an individual trial to a collective composition. Further research should focus on empirical verification, development of diagnostic tools, creation of methodological materials, and analysis of the model effectiveness in different educational environments.

Published

2026-04-30

How to Cite

Tanko, T. P., Larina, I. O., & Dolia, Y. V. (2026). Implementation of improvisation and play-based methods in Carl Orff’s music-pedagogical system. Pedagogical Academy: Scientific Notes, (29). https://doi.org/10.5281/zenodo.20882054

Issue

Section

Theory and teaching methods